Alfonso and Carlos Cuaron have created people and situations that are very believable. The script is fine. It's a great Mexican Road movie done with a lot of care. The Cuarons shows us a slice of life that could happen, not only in that country, but one that is universal. Producers and directors in Mexico should see this film and learn how to do future movies, even though the popular taste runs into the horrible soap operas, popular in Mexican TV.
The Cuarons have turned out a magnificent script and have turned away from those popular melodramas that are a staple of the film industry of our neighbor to the South. Gael Garcia Bernal, who was excellent in Amores Perros, here demonstrates once again what an actor can do, given the right scenario and obviously a lot of freedom to give life to Julio.
Diego Luna is also very credible in his portrayal of the son of a rich man on the road to discover himself. Obviously, the underlying theme is that both like each other, but it never comes out, as they both are so closeted and think themselves of being straight in such a macho atmosphere. Maribel Verdu plays the pivotal role of Luisa. She sees right through the boys, but has to play the part since they are the salvation from her miserable marriage.
Here as in other Spanish films, she lets us know she is an actress who likes to take chances. This was the right vehicle for her and she takes advantage of a role that makes her outshine the rest of the cast. One can only hope more interesting things coming from this director and Mexico's gain is our loss, as it's obvious Mr.
Cuaron's incursion into American films have not been as satisfactory as his work here. FAQ 1. Details Edit. Release date June 8, Mexico. And Your Mother Too. Tepelmeme Villa de Morelos, Oaxaca, Mexico. Box office Edit. Technical specs Edit. Runtime 1 hour 46 minutes. Dolby Digital. They reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a universal power of communication.
Some films have become popular worldwide attractions through the use of dubbing or subtitles to translate the dialog into other languages.
The individual images that make up a film are called frames. In the projection of traditional celluloid films, a rotating shutter causes intervals of darkness as each frame, in turn, is moved into position to be projected, but the viewer does not notice the interruptions because of an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after its source disappears.
The perception of motion is partly due to a psychological effect called the phi phenomenon. The name "film" originates from the fact that photographic film also called film stock has historically been the medium for recording and displaying motion pictures.
Many other terms exist for an individual motion-picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europe film is preferred. Common terms for the field in general include the big screen, the silver screen, the movies, and cinema; the last of these is commonly used, as an overarching term, in scholarly texts and critical essays.
In early years, the word sheet was sometimes used instead of screen.
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